In 1962 a top secret government agency designed a spaceship to explore the deepest reaches of outer space. On its voyage back to Earth it disappeared without a trace. 44 years later Jack Alder, a rouge CIA agent, has uncovered the government's dark secret. Today Alder is set to unleash an evil on this planet like nothing man has ever seen. Fueled by his own ambition and greed, he has devised a plan that threatens the fate of all humanity as he opens the door to something not of this Earth. Caught in the chaos is Slade Hunter, a down and out ex-special forces soldier. He searches to put the pieces of his brother's brutal murder together. Soon, he finds himself battling for his own life against a band of mercenaries, government agents and Earth's deadliest visitor.

所(🛐)以今天晚上那么热闹(nào )的生日宴，你提都不跟我提？乔(🔕)司宁问。

那人倚着船舱，坐(zuò )在她头顶的位置，正低头看着她。

此(cǐ )言一出，在座几(jǐ )个人同时抬(tái )头看向她，都愣住了。

It's the old dark house plot again with added gore. Foolish young people take shelter in in old house or in this case, hotel and all hell then breaks loose. Not one of the most original stories in the field of horror films and sadly there is nothing really new in this made for TV movie. Other than the only known case of death by washing machine that is! Made in 1989 but looks even more dated than that, the jocks and bimbos in the American splatter films were pretty air-headed but they were always far worse and incredibly stupid in the European ones. Anyone with an ounce of sense would see what a 'con-damned' building this house was and run for the hills. These just wait around aimlessly to be picked off by the forces of evil. The sound dubbing isn't very good either and somewhat annoying as none of the voices seem to be in tune with the actors. And the small child while I guess, is supposed to be cute is just a major pain in the backside. But then again, none of the cast are sympathetic and you don't really care what happens to them. Thus it rattles onto a dull finale and disappointment. Like a lot of Spanish and Italian films in this genre, the horror effects happen for no rhyme or reason, just to try to elicit a scare. There has to be some bounds of credibility and logic in even the most dopey plots.

讲述设置在(🤱)黑暗(àn )的老帕拉马塔监狱由原(㊙)罪犯我(🚯)们的主角雷退伍老兵建(🥗)发现自己为杀人后的18个月，捍卫了自己的未婚夫。他很快意识到监狱的老板就对他和(🤜)一切(⛲)可能打破射线甚至去后，他的未婚(hūn )妻呢。他已学会(💊)如(🖐)何绕过这内部政(🚞)治和草皮战争，存在，找一个办法使它通过再次见到自(zì )己的未婚夫。

Sofia is a girl thirty years fascinated by the world of horses as disappointed and puzzled by the average male population. After collecting a series of terrible dates with men witless, faithless or terribly pedantic, decided to make the subject of a book in which I am associated with the behavior of men in equine psychology. Not even her two best friends have an idyllic love life: Penelope, a lawyer set with astrology and the development of the loves of quick consumption, and Alice, a reportage photographer forced to shoot poses bleak picture stories to stand beside the man terribly poor with whom he decided to marry. When Sophie arrives at the eviction notice, the only way not to go home is move in with Alex's mother, brother and macho womanizer Alice. Cohabitation is not the most simple but allows it to meet Bruno, an engineer who seems to be the beautiful thoroughbred been waiting ....

悦颜走了一圈，越走越(💎)觉得渗人，快回到病房门口(🚝)的时候，忽然想起什(🤛)么来，给乔司宁发了条消息：「你还在医(yī )院吗？」

在前往墨(😔)西哥的生日旅行中，12岁的罗妮·安不小心释放(fàng )了困在山中(zhōng )的一个半神，她需要家人的帮助来化解(jiě )危机