《省港双龙》是一部警(🏟)匪片。它叙述香(xiāng )港警探刘帮办和大陆公安(🎟)干部林彤，如何联手消灭雷鹏大圈仔匪帮的(de )故事。

本片是一部古(🚨)代少数民族题材的电影，讲(🛄)述了三(sān )姐妹(mèi )的老父亲被(bè(👂)i )杀，三(sān )个强盗跑进了他们的住处，三姐妹决心联合对(🏔)(duì )付强盗的故(gù )事(✴)。起(qǐ )初三人巧妙将强(✳)盗全部骗(👇)入井中，但后来三妹(📯)爱(ài )上了其中一个强盗，竟将他放出，结果造成强盗逃脱。后来(🍝)井中发现了金币，三姐妹又借(jiè )此再度将犯人关住，但大难不死的老 父亲又说情放了他们。强盗头子...

完成自己的造型之后，她才又看向自己(jǐ )身旁西装革履的男人，你确定要穿成这样去夜店吗？

霍靳西顺着她的视线一看，转头跟她对视一眼，很快便带着她向前走去。

韩雪把(📊)人按回椅子(🏣)上，眨了眨眼(✒)睛，奶奶，今天我来下厨，你等(děng )着就好。

张采(cǎ(🔡)i )萱踏进门去，青石板铺就的(🍍)地(dì(😗) )面干(❌)净整洁，屋子里摆设大(dà )气。虽比不上都城的富贵人家，但比青(🌵)山村众(🦎)人家中，好太多了。

张秀娥环顾了一周，把目光落在了周家门前不远处的路上。

On one night, a journalist named Enrico Galiardin was attacked and killed by not a few people. And then, Inspector Luca Micheli begins to investigate, and somehow finds a suspect named Delogo. But, though the suspect himself confesses that he murdered Galiardin, Micheli doesn't and can't believe he did by himself. So he keeps investigating under the troublesome circumstances that both some crime organisation and the police itself force him closing the case with the only one suspect... Some apparently informative literatures seem to innocently presuppose this Italian film is a Giallo (and, strangely enough, their treatments seem to be all too brief), I don't and can't think so. On the contrary, I think this is nothing but a political drama with an unusually serious police officer, which excludes so-called Giallish elements. And, though this film betrays me exclusively because it is not a Gallio at all, I believe this is a simply great film. Concretely, the strength of this film lies mainly in two and independent powerfulness; its passionately and almost fanatically serious leading character, Inspector Luca Micheli, whom Frederick Stafford superbly plays, (indeed, this male character is too serious to be realistic and therefore has not only unacceptably official but also tragically marital/familial dysfunctions, and at the same time he is so powerful that does not perform a series of actions one after another but at one stoke brings about a series of events one after another), and Riz Ortolani's highly impressive music (his music is, of course, not event(s) and therefore do not straightforwardly enter into the casual relations, but is so powerful that can bring about event(s).) And furthermore, the director, Camillo Bazzaoni, has trustworthy talent for making each scene impressive. Especially, I am unexpectedly and almost astonishedly impressed by the aesthetic violentness of the last scene, which is adequately heightened and enriched by Ortolani's music. In conclusion, I can say this film is a great one which is recommendable to the general Italian-film-lovers.

石头也不知道多(duō )久没洗(🈂)脸了，脸上都是灰(huī )和眼泪圈儿，还有鼻(bí )涕，此时吸溜吸(xī )溜的，也不擦，就开始吃兔子肉。