生(🚝)身の(🚂)人間として扱われず、性欲の捌け口としてしか存在し得ない、常軌を逸した欲望の渦。

The time is the Russian Revolution. The place is a country burdened with fear - the midnight knock at the door, the bread hidden against famine, the haunted eyes of the fleeing, the grublike fat of the appeasers and oppressors. In a bitter struggle of the individual against the collective, three people stand forth with the mark of the unconquered in their bearing: Kira, who wants to be a builder, and the two men who love her - Leo, an aristocrat, and Andrei, a Communist. In their tensely dramatic story, Ayn Rand shows what the theories of Communism mean in practice. We the Living is not a story of politics but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what dictatorship - of any kind - does to human beings, what kind of men are able to survive, and which of them remain as the ultimate winners. What happens to the defiant ones? What happens to those who succumb? Who are the winners in this conflict? Against a vivid panorama of political revolution and personal revolt, Ayn Rand offers an answer that challenges the modern conscience. Written by The Publisher of "We the Living"

来自首尔的哑语美术老师仁浩（孔宥 饰）来到雾津，应聘慈爱聋哑人学校。天降(👒)大雾，他意(🚭)外(😛)撞车，维修时邂逅了人(rén )权组织成员柔珍（(👒)郑(🥎)有美 饰）(🐼)。仁浩妻子早亡，8岁女儿天生哮喘由祖母照看，所以他不辞辛苦谋职养家。然而，双胞(bāo )胎的校长与教导主任(🌮)竟逼仁浩索贿5千万韩元。同时，仁浩逐渐发现学 校笼罩着一种紧张(🐐)压抑的(🚹)气氛...

杨翠(cuì )花觉得那聂家把张秀娥折腾坏(huài )了，这个时候(😕)她要(📴)赶紧给(gě(✍)i )张秀娥介绍一个！得让张秀娥早点从聂(❄)远乔死了的阴影之中走出来。

行，爸爸这就去做晚饭。陆与川(chuān )笑道，饿着谁也不能饿(è )着我们家沅沅。

秦公子闻言笑了起(qǐ )来：你难道是怕太多人惦记我，所以吃醋(🆓)了？

是那天那个(gè )霍家的公子吗？顾晚又问。

电影《大霞(🚌)》[1]是以人命名的(🧐)电影(yǐng )，讲述因杀人获刑的东北姑娘女主人翁大霞来到云南风情小镇投靠姑姑(🆎)而发生(shēng )一系(xì )列故事。

本片為1967年的俠情電影，由邵逸夫親自監(🍢)製，高立導演(yǎn )。故事描述(shù )，宋代(dài )時候，西涼蠻兵入侵中原，武林正宗日月(yuè )會總舵主洪鐘(zhōng )（楊(➖)志卿），被(🎒)與(✴)敵酋勾結的鎮西府大將(jiāng )軍呂強（顧文宗）所殺，各路英雄聯袂同赴昆城龍靈寺，迎接新舵主沈秉(bǐng )義（張翼(🚠)）密謀抗敵大計。期間，俠士之後葛黛雲（焦(🗾)姣）及維族族長之女絲絲（虞慧(huì )）、(🦖)濛濛（舒(🐲)佩佩），三女同時傾慕沈。惟沈因國事為重，無心談及兒女(😀)私情，一一好(hǎo )言(🕶)婉拒，率眾(📤)英雄與(yǔ )敵展開(🚤)連場大血戰……(🐢)