卡洛斯和奥尔加(😭)是维拉的(de )父母，他们现(xiàn )在离婚了，奥尔加在她的新家里经历了一些超自然现象(xiàng )，唯一能让她知道发生了什(🏹)么(🤧)的事情是她阁(gé )楼上的一个(😕)没(méi )人知道的旧木箱它来自哪(nǎ )里。

可是(💰)到底是自己(🔗)怄气，他逐渐才发现，这么多年(🚂)来，从没气到过谁(🕴)，全都在自己作孽。

郑得利小气成性，买了高楼豪宅却每天与(yǔ )妻(qī(😿) )小在空屋(wū )里搭帐棚，洗(xǐ )澡则去大楼泳池边的更(gèng )衣室(🦖)，只为维(wéi )持完美屋况，好让房子增值转卖发大财。眼(👊)(yǎn )看发财(👋)梦即将成真(zhēn )，谁知厄运突袭，住在楼上的廖伯伯突然「空降(🕌)」在郑得(🍼)利家的阳台上，圆梦美宅顿时面临房价砍半的危机。心急如焚之时，「空降」的廖伯伯显灵发威、(🖊)觊觎无主遗产的贪财管...

马车对于村里的人来说，算是个大件(jiàn )，很值钱的东西，尤其是现在这样的情(qíng )形，更是有银子都买不到的东西。

慕浅一时有些(🕯)怀(☕)疑地(🤪)看着他，你可别拿话哄我！

本来是不(🥒)打(dǎ )算连(😧)夜赶上来的，但是，这个山顶位置好，如果今天(🥛)不(bú )上来的话，就得明天了。

容隽乐不可支，抬起头(🐼)就在她脸上亲了一下，随后紧紧圈住她的腰，又吻上了她(📳)的唇。

This erratically fashioned melodrama begins, with its very opening sequence, as an excessively fabricated version of the actual murder, 16 October, 1975, in (at the time, Portuguese) Timor, of five Australian television reporters, a deed committed by uniformed criminals from an Indonesian Army task force which guaranteed by this barbaric action that an invasion by Indonesia into Timor could not receive media coverage. These victims, customarily referred to as the Balibo Five, after the village wherein they were slain, are termed as the Timor Five for this film that adds as well a fictitious pair of brothers named Wild who, in dubious fashion, evaded being massacred with the others, subsequently somehow making their way back to the Antipodes, whereupon the ensuing behaviour of the brothers, four years after, is seen here. The older of the brothers, Adam Wild (Chard Hayward) makes an unforeseen appearance at Taihape, on New Zealand's North Island (where a good deal of the film was shot), therewith attempting to convince younger brother Kevin (Ivor Kants) toward reappearing with him to the employment field of broadcast journalism, obviously believing that his seniority gives him a vested advantage for sibling decision-making. However, a betrothed Kevin, wordsmith of the duo, Adam being a photographer, favours a less lively existence in Taihape over returning into the realm of manipulative media. The greatest portion of the film dodges about the Balibo Five tragedy, focussing instead upon Adam's amourous experiences, initially with Lani, a Taihape Maori harlot (Margaret Laurence {misspelled as "Lawrence" upon the VHS case), and later with Alison, a much more refined, but no less romantically inclined young woman (Jennifer Cluff). Since Adam's mere presence manifestly stokes libidinous fires within these two, the multi-drama's moments of paramount interest for many viewers will be generated by lustful actions of these three, because Kevin is shunted off-story as are the exterminated quintet of newsmen. Originally named HOUNDS OF WAR, the film is shot in the Philippines (performing as Timor), Sydney and other parts of New South Wales in Australia, as well as Taihape, but the locational shifts fails to add interest for a storyline that is deficient at giving dimension to its characters or in providing clear motivation for their actions. As result, the narrative miscarries, viewers not being given a solid impression of what eventually may occur to anyone within the plot. One notable aspect of the picture involves the sustaining of numerous beatings by Adam Wild, rivalling in number and savagery those given to numerous American private detectives in noirish works of the 1940s and 1950s. Treatment of relationships between Whites and Maoris in New Zealand is perfunctory and not developed at all, as might be expected from a film wherein a sense of reality has been removed, but not replaced with any significant activity. The players work hard at creating their roles, but lack adequate support from the direction, script and editing.

90楼：楼上乱讲！谈恋爱明明很甜的好吧！楼主冲鸭！不要在意自己的脸面！