Marian Martin (Crawford) is a factory girl living with her mother in a grimy railroad town. Factory boy Al Manning hopes to marry her, but Marian is determined to find a better life. When a train makes a stop in town, Marian looks through the windows and sees the wealthy passengers. She then makes the acquaintance of Wally Stuart, a New Yorker who gives her champagne and writes down his address, telling her to look him up if she ever makes it to New York. Marian, now tipsy from the champagne, happily returns home. Giggling, she tells Al and her mother that she was drinking down by the railroad tracks.

小明，你领着(👙)他们两个，找地方躲起来，不(bú )要让那些人看到，用不了(🙉)多(🌤)久，我就会找你们帮(bāng )忙的。

宋嘉兮顿了顿，朝(🍮)蒋慕沉伸出了自己的(de )手指：你弯腰一(yī )下。

孟行悠在旁边哇了一声(shēng )：哥，你运气真好。说完，她顿了顿，想起这个饺子是自己夹得，补充道，不对，你应该先感(🐊)谢我(wǒ )，没有我帮你，你就(🍦)吃不到这个包了(le )硬(🦔)币的饺子。

她话音刚落，申(shēn )望津却依旧大喇喇地往她床上一坐，随后直接揽着她就躺了下来，一边拉(lā )过被子盖住两个人，一(yī )边道：走不动了，不睡不行了

你今天不(bú )许走了。霍老爷子说，明天(🌕)早上陪我(wǒ )吃早(☝)餐。

Rance系列出(🛫)到第四部时推出的(de )动画，与游戏剧情没有联系。CV阵容非常抢眼。

等着她拢起了火堆，她(tā )又费劲九牛二虎之力，把秦昭身(🌎)上的(🚹)衣(🦃)服给扒了下(🛏)来，只留了里(lǐ )衣。

Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.