《薄荷糖》《绿洲》女主(zhǔ )文素利自编自导自演的影(🧞)片，也是她的导演处女作，影片三部短片《女演员》《女演员(😸)今天也》《最佳导演》合编而成。讲述(shù )一个出(chū )道18年的女演员的真实故事，曾(céng )红(hóng )透半边天的十八年老戏骨文素利当风光不再、无戏可拍时具体的平常生活。电影中的她，每天用酗(xù )酒来逃避(🧠)没有工作的压力，申(🈶)请银(yín )行贷款、迫于生计为医(yī )院拍摄(shè )平面(🏌)广告等。

我们忙说(shuō )正是此地，那家伙四下打(㊙)量一下说：改车的地方应该也有洗车吧?

她安静(🆗)(jìng )地躺着酝(yùn )酿了一阵又一阵，终于还是忍不住摸出床(🎶)头的(🍳)手机，打开之后，又迟疑了片刻，最终还是发出去一条消息：

许城(🥄)笑看着眼前的小女生，眼底深处藏着一片冷意，嘴角却笑的勾人：不介意。

Jessica Fletcher leaves her Cabot Cove residence to attend a big-city writer's conference. As generally happens wherever Jessica shows up, a murder takes place; in this instance, the victim is a former KGB agent who was about to publish his tell-all memoirs. Teaming up with fellow author Warren Pierce, Jessica sets about to solve the murder -- much to the dismay of the local constabulary.

A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.

影片讲述了一个杀手向神父忏悔的故事。当(🤪)他向神父(fù )讲述了自己的过错(cuò )，神父并没有责(zé )怪他，并且向他讲述了一个发生在两个男人之间的故事。这是一个有关骄傲导致自(zì )大和背(bèi )叛的故事，故事的主角叫做(zuò )亚伯拉罕和(🍝)(hé )艾萨克，这两个人原本是朋友(yǒu )，且(qiě )各自经营着餐馆(guǎn )的生意，亚伯(🥟)拉罕的餐馆十分好，并且受到(🌉)当地人(😳)的(de )喜爱，它很有人情味，而艾萨克拥(👆)有三间餐馆，他们彼此同(🦖)意，成为生意上的合作伙伴，而艾萨克却在合(🔡)同上(🚓)动了手脚，坑了亚伯拉罕，最终亚伯拉罕只能以低价将餐馆拱手(📥)相让(ràng )，走投无路之时，亚伯拉(lā )罕(👬)只(🚯)好向上帝求助……

从一开始(🎊)(shǐ(💏) )，两个人相(🍽)互吸引，投入(📲)(rù )热恋，那个时(shí )候，两个人都是热烈的、(🔲)满怀赤诚的(de )，即便那个时候有些矛盾就已经开始凸显，可是尚在热恋期的两个人，是很容易跨过(guò(💘) )这些矛盾的；

A bus named Anbu narrates the stories of its 24 passengers, giving a glimpse of their journey from Kodaikanal to Dindigul.