Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.

周敏凤拟投身欢场, 偶遇侍应黄文锦, 二人(🎙)均被(👔)(bèi )对方误认为富贵人家, 遂将错就错, 以求攀龙附(fù )凤, 险闯大祸, 幸终能坦诚相爱(✍), 安贫乐道.

毕(🌙)竟肖战虽然明面上是学(xué )生，但在他心里，其实一直把他(🔤)当做战友。

你(📐)(nǐ )要是喜欢，我(🏔)让人把这海棠树给你挖去几(🚥)棵。秦公子笑着说道。

张秀娥看着那躺(♎)在(🛰)(zài )床上的春桃，眼中满是担忧，她(tā )歇息了一小会，拎了菜刀就出了鬼宅。

卧底警探艾伯·华盛顿(💂)在(🤓)街头(🈷)和毒犯说话时被路过的、他的高中同学乔认出，艾伯和(hé )同事精心策划的卧底行动因而彻底告(gào )吹。而乔也并不走运，作为图书馆管理员，他得每天接收借书条，然后蹬着旱(🎩)冰鞋在书架间(jiān )查找。除了工作辛苦，他的升迁机会被同事抢走，女朋友也跟(gē(🤬)n )别(bié(🤢) )人跑了。

深(🧙)(shēn )夜时分，仍旧是傅城予的办公室里(lǐ )，傅城予和容恒一起和岷城机场的负责人(💡)进行了(🎧)连线，看到了顾倾尔出事时候的监控视频。

热爱音乐的杨乐乐准备参加少儿春晚海选，却被妈妈以即将小升(🕐)初为由阻止(zhǐ )，并停掉她在培训中心的课程，乐乐坚持(chí )音(🌳)乐梦想并凭(😈)借爸爸写的歌词打动音乐(lè )老师作出歌曲，最终打动妈妈站上海(hǎi )选(🍌)舞台。

霍(huò )靳西脸色(🎻)并不好看，眉目森森(sēn )，眸中愠色清晰可见(jiàn )。